Inside the Mind of a Best-Selling Author
鈥淚 got bad news for you, kid. You鈥檙e a writer and you鈥檒l never shake it.鈥�
Those words were imparted to Alice McDermott by a professor when the best-selling author was a college freshman. She had submitted her first assignment for her first writing class, 鈥淭he Nature of Non-Fiction,鈥� taught by a retired Air Force colonel and former journalist. The homework: Write an autobiographical essay.
91大神, Baltimore President Jay A. Perman, MD, and award-winning author Alice McDermott share a conversation before an audience of UMB alumni.
鈥淚 went to my dorm room and wrote an autobiographical essay that was completely manufactured,鈥� McDermott said, sharing one of many stories during 鈥淎n Evening with Alice McDermott,鈥� a conversation between the author and President Jay A. Perman, MD, on Nov. 29 at The Winslow, an event venue at the Parker Metal Building on West Ostend Street, held for 150 UMB alumni and their guests.
McDermott鈥檚 professor kept her after class, at which point he issued his bad news. 鈥淚t was that moment, yes, of course, I always knew that I wanted to be a writer, but I would not have known it if he hadn鈥檛 have told me.鈥�
The University president shared a stage with McDermott as he asked her questions about her writing methodology and inspiration.
McDermott is the author of eight novels, including her latest, The Ninth Hour, which was a finalist for the 2017 National Book Critics Circle Award and the 2017 Kirkus Prize for Fiction. Audience members received signed copies of the book.
Three of McDermott's novels have been finalists for the Pulitzer Prize, and her best-known work, Charming Billy, won the 1998 National Book Award.
Born in Brooklyn, N.Y., McDermott was inducted into the New York State Writers Hall of Fame in 2013. She is the Richard A. Macksey Professor for Distinguished Teaching of the Humanities at Johns Hopkins University, a role that gives her opportunities to guide young writers in the way she was guided by teachers.
鈥淚 have my career because I had wonderful teachers,鈥� McDermott said. 鈥淭here's no question in my mind that I could not have embarked on those long nights and days as a writer if I hadn't had teachers who at the right stage of my career told me I was doing the right thing.鈥�
At the beginning of the evening, Perman reminded McDermott that UMB is a health, law, and human services university. 鈥淚t鈥檚 hard science. It鈥檚 the facts surrounding law. So, when we're with you, we鈥檙e sort of awed by your creativity,鈥� he said. 鈥淪o, we want to learn a little about you. Was it always writing for you? When did you know you wanted to be a writer?鈥�
McDermott said she started writing at a young age as a way to have a voice in a world where she could complete sentences without being interrupted by her brothers, adding that scientists, lawyers, and writers share some common traits.
鈥淚n some ways, I think what inspires a young person to go into the sciences, to go into law, and to go into the creative arts is a kind of curiosity about the world and how it works, what it is to be human, what our short time here on this planet means,鈥� she said. 鈥淚 think scientists and people in the medical profession ask the same and I think people who go into law ask the same. For me, I think writing was always my way of thinking about the world and making some kind of sense of it.鈥�
Perman also asked McDermott about whether she works on her craft on a daily basis.
鈥淚 have always had that sense of, well, if I were going to pursue this, I鈥檓 going to pursue it as if I were someone who was actually going to an office and working every day,鈥� McDermott responded. 鈥淚 am as obliged to show up at my desk as a waitress would be to show up at the restaurant or a surgeon would be to show up at the operating room.鈥�
She gets behind her desk in the morning and stays until 5 or 6 p.m. It can be boring, lonely work at times, she admitted. 鈥淚 may not produce anything worth reading over the course of a day. I may end up with a deficit of pages. But I鈥檓 there, pursuing it. I need to be there to discover the right way to tell those stories.鈥�
And like many writers, the tight grasp of procrastination often gets in her way, she acknowledged. 鈥淚 love to procrastinate,鈥� McDermott said. 鈥淚'm delighted by not doing what I'm supposed to be doing.鈥�
Many of her novels center on stories about Irish-American Catholic families, Perman noted. 鈥淲hy is that important to you?鈥� he asked. 鈥淒oes having that history, those experiences, make the writing process easier?鈥�
鈥淭he Irish Catholic experience makes its way as a subject into many of my novels,鈥� replied McDermott, a second-generation Irish-American who attended Catholic schools. 鈥淏ut I don鈥檛 think of myself as someone who is setting out to, in any way, define that face or that demographic. In some ways, I think of this as a means to an end. It is material at hand for me.鈥�
Currently, she鈥檚 been commissioned to write a play, she told the audience.
鈥淭hat鈥檚 been sort of a fun exercise. I鈥檓 not a playwright. I know what happens to novelists who think that they are. It doesn鈥檛 go very well,鈥� she said. 鈥淏ut it鈥檚 another way of thinking about storytelling, so perhaps it will make me a better novelist in the long run.鈥�
The event was the third alumni gathering featuring noted writers in recent years. UMB hosted New York Times columnist Frank Bruni in November 2017 at the National Press Club in Washington, D.C., and television writer and producer David Simon in April 2018 at the Sagamore Pendry in Fells Point.
Suzanne Price, MSW 鈥�92, said she is delighted that UMB has been including prominent authors in its alumni events.
鈥淚 think this is the best thing UMB could do,鈥� she said. 鈥淚t is wonderful to hear the authors talk about the creative process.鈥�
Price brought along her sister, Pat O鈥橦ara, an English teacher at Loyola Blakefield in Towson.
鈥淚 can鈥檛 wait to tell my students all about this tomorrow,鈥� O鈥橦ara said. 鈥淚 just can鈥檛 wait.鈥�
